Next to most modern softsynths, the modulation routing is fairly inflexible too. Although it’s nice being able to jump easily between Partials and different synth elements using the structure view at the top of the UI, too many parameters are controlled primarily via fiddly sliders, and the less said about the spreadsheet-like Pro Edit window, the better (fortunately this latter element can be largely avoided). More so than in its basic form though, Zenology Pro suffers from how dated its interface feels. These are mostly standard fare, but there are a few nice touches the filters have multiple settings including several Roland hardware emulations (although no notch filters, sadly), and the LFOs have a step sequencer mode for rhythmic modulation. ![]() Beyond this, each Partial has a multi-mode filter, two LFOs plus an envelope-controlled amp and an EQ.
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